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VR technology has been evolving for decades, but until relatively recently it was considered too expensive and technically demanding for most uses outside of video games.
Part of “Across the Line,” created with the help of immersive journalist Nonny de la Peña, is shot documentary-style with a 360-degree camera and actors playing patients and protesters.They are transported to a tiny cell block and are completely immersed, for a time, in that lonely, frightening atmosphere.Even those watching in an internet browser can manipulate the video as if they are moving around inside it.It was exhausting and traumatizing, but Hackl was most disturbed by how it began to change her.“When you do that kind of job, you kind of turn your humanity switch off a little bit,” she says. Her ability to empathize took a backseat – it had to.It wasn’t until two years ago – more than a decade after she began doing that work – that she had the visceral experience of feeling that switch turn back on.
“You’re a whore, shame on you, maybe your parents should have aborted you! The viewer can’t see the man shouting it, but his voice is very real, and feels less than a foot away.